Terra-Cotta Works
Tucked close to the Queensboro Bridge, on Long Island City's Vernon Boulevard, there's a little jewel of an abandoned building: the offices of the once-sprawling New York Architectural Terra-Cotta Works.
When the company closed in the 1930s, these offices continued to function in various capacities until 1965 or so. Citibank bought it, boarded it up, and forgot about it for decades. In old photos, the building sits forlorn and mysterious, its gorgeous ornamentation covered by plywood.
In 1987, Christopher Gray described it in the Times as "a burnt brown riot of pressed and shaped brick, chimneys with spiral designs, stepped gables and round-bottomed roof tiles... The entire building is a rich symphony of hard-burnt brown, cream and umber."
The building was landmarked in 1982 but nothing was done to protect it from the elements. The plywood on its doors and windows was left to rot and warp.
A couple of years ago, the building was wrapped in scaffolding and netting for "remedial repairs," noted Brownstoner. "Silvercup Studios planned to build a studio on the lot behind the building and restore the Vernon Boulevard landmark. Plans stalled after the economic downturn."
In old photos, the little building stands in front of a large factory and next to a yard for storing terra-cotta sculpture. (In the background, the cantilever Queensboro Bridge is half built.) In his 1891 book Terra-Cotta in Architecture, Walter Geer described the factory in detail. "The first story contains the engine, boilers, machinery for preparing clay, and the clay, coal and grit pits." This machinery included washer and slip tanks, crushers and mill stones, as well as some items known as pug mills. There were 12 kilns.
The clay came from New Jersey. It was mined, seasoned, and delivered to the factory, where it was crushed, ground, washed, and mixed with grit before being molded and sculpted. From there, the terra cotta got shipped off to adorn some of the most beautiful buildings in the city.
Today, the scaffolding and netting has been removed from the terra-cotta works office building. The windows are properly protected. The bricks, many of them made of textured terra-cotta, along with all the scrollwork, are looking clean and fresh.
What's next for this historic site?
When the company closed in the 1930s, these offices continued to function in various capacities until 1965 or so. Citibank bought it, boarded it up, and forgot about it for decades. In old photos, the building sits forlorn and mysterious, its gorgeous ornamentation covered by plywood.
In 1987, Christopher Gray described it in the Times as "a burnt brown riot of pressed and shaped brick, chimneys with spiral designs, stepped gables and round-bottomed roof tiles... The entire building is a rich symphony of hard-burnt brown, cream and umber."
The building was landmarked in 1982 but nothing was done to protect it from the elements. The plywood on its doors and windows was left to rot and warp.
A couple of years ago, the building was wrapped in scaffolding and netting for "remedial repairs," noted Brownstoner. "Silvercup Studios planned to build a studio on the lot behind the building and restore the Vernon Boulevard landmark. Plans stalled after the economic downturn."
In old photos, the little building stands in front of a large factory and next to a yard for storing terra-cotta sculpture. (In the background, the cantilever Queensboro Bridge is half built.) In his 1891 book Terra-Cotta in Architecture, Walter Geer described the factory in detail. "The first story contains the engine, boilers, machinery for preparing clay, and the clay, coal and grit pits." This machinery included washer and slip tanks, crushers and mill stones, as well as some items known as pug mills. There were 12 kilns.
The clay came from New Jersey. It was mined, seasoned, and delivered to the factory, where it was crushed, ground, washed, and mixed with grit before being molded and sculpted. From there, the terra cotta got shipped off to adorn some of the most beautiful buildings in the city.
Today, the scaffolding and netting has been removed from the terra-cotta works office building. The windows are properly protected. The bricks, many of them made of textured terra-cotta, along with all the scrollwork, are looking clean and fresh.
What's next for this historic site?
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